The Victorian Painting - 'The Sempstress', by Richard Redgrave

The Victorian era was one of great change in not only the arts, but also society at large. Brittan saw itself as the greatest, most advanced nation of all, leading(a) the initiation in industrialisation. Despite this, a high character of the British population was very poor and this was an ongoing hearty issue. These pot were never seen as worthy subjects of the arts, however in the 1840s mountain lion Richard Redgrave began to draw on their lives as a design of genial criticism and to call attention to the struggles of the poor and suppress . He painted a series of much(prenominal) paintings with point credit to another social issue, the woman question . A leading ensample of such Redgrave works, and to a greater extent broadly Victorian art, is The Sempstress of 1844 ( prototypal version) which this essay bequeath rise and analyze in terms of its symbolism, style and significance. The Sempstress was first shown at the Royal Academy in 1844 and depicts a early gir lfriend sewing late into the night in her brute bonce looking upwards to the heavens like a enshrine . It is a reflection of the social reality of the British functional woman during the 1840s and 50s .

During this period, many women from the lower middle, middle and redden the top(prenominal) classes were forced into the workforce due to an unequal charge up ratio of three women to every two men . In addition, pressure was put on married women to work, as the take for men in unskilled and semi skilled crowd were often too low to support the family alone . These women in the main moved into occupations th at were seen to be naturally feminine such a! s national service or needlework. Needlework was desirable to domestic service as one retained her freedom and it was easily... If you deprivation to get a full essay, order it on our website: OrderCustomPaper.com

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