Sunday, January 22, 2017
Shakespeare, Hamlet and the Roles of Women
In Elizabethan England - the period of William Shakespeare - women were socially degraded and taught they were inferior to men. In his play, hamlet, Shakespeares perception is thoroughly displayed as women are wrong and pre displaceed as inferiors; endeavors that assist or cramp the action of men. Specifically, Gertrude and Ophelia are displayed as instruments of deceit, fragile-minded women with a dependence on men, and the typeface for their own reference point of maltreatment and degradation.\nGertrude al near at a time falls under the steamy spell of Claudius and allows herself to become objectified, essentially neglecting her own son. She does not interpret to reason with village and materialise the genuine reasons for his sorrow notwithstanding instead allows for her son to be spied on by Rosencrantz and Guildenstern, ignoring the ask of her own child. Gertrude becomes an object utilize to spy on Hamlet when she ultimately gives in and allows Polonius, who has u ndercover behind a arras, to bear in mind to the conversation she has with her son. When the Queen states, Ill example you. Fear me not. Withdraw, I key out him coming (III.IV.9-10). it shows that Gertrude is fully alert of the situation she is in and has agree to allow Polonius to listen in to her son in his most vulnerable and intimate state, considering his mindset. As a loving generate she should perk up allowed her son the chance to vent his situation and problems in an intimate and secure situation, plainly instead puts him in a predicament in which Hamlet unknowingly kills Polonius.\nSince Gertrude is a woman, she is victimized and portrayed as the cause of Poloniuss death. If she had not been part of the figment we can assume that Polonius would have not been behind the tapestry and inadvertently killed. This event as well as allowed Hamlet to be sent England, prolonging his revenge. Similar to Gertrude, Ophelia allows herself to become an object used to spy on Pr ince Hamlet. His former lover, one who we can...
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