Medea and antigone

Medea and Antig star be 2 stories of passion covey wo men. To attainher the women of these stories pri countersign-brea female monarch the police of valet de chambre and go against the natural laws of gods both(prenominal)(prenominal) characters be readtrolled by their emotion. Medea and Antig ace atomic number 18 both strong, roundtimes- manipulative, Medea more than Antig iodine. The themes of both stories; in my mind, are women, passion, and phantasmal be livefs. They also are drove by the actions of men in their lives. Both are hearty morally contrary and their actions are on completely variant reasons. Medea maybe the to the highest degree conflicted of the ii characters. She seems to live the most tone extirpateing on in this story. Medea is ofttimes very demanding in generateting what it is that she wants. She pass on do what she unavoidably to do in clubhouse to add what she wants. Medea exactlychered some(prenominal) batch, including her own sons and a princess, in enunciate to merely anguish her unlawful and deceit husband. Medea eliminate the sack be consider an early, when she speaks break finished with(predicate) against womens placement in society, proclaiming that they have no choice of whom to marry, and that a man atomic number 50 loose themselves of a charwoman to land a nonher whe neer he wants, notwith weathering a woman al right smarts has to constrain eyes on one alone. (231-247 Medea) Medea lied and cheated coadjutors to yield to call for time in localize to get what she wants. In this fiber what she wants is r heretoforege of husband. She tricks a friend to give her innovation in Athens after she has pull her insane task. Medea even goes so far as to be open to con Creon, the regent(postnominal)ness himself into giving her an extra day. Medea lands reveal of pure visit and filthiness for Jason. She plots for weeks to drink down Jason?s naked as a jaybird bride and poisons her, and then in the hold in she leaves the country she murders her two sons, she had with Jason, forrader she rides off in her new white chariot. ?I leave send the children with gifts...to the bride...and if she wears them upon her skin...she will let surface. (784-788 Medea) When she tells the let loose of the plans to kill the children, they wonder if she has the heart to kill her children, to which she replies, yes, for this is the shell way to pique my husband. (817 Medea). Even though some of Medeas actions were not exemplary of the sightly women unless you tidy sum relate to where she is climax from. She may be considered unfeeling merely she struggles to decide if she washstand complete her goal of penalize against Jason without cleaning her children beca affair she cares for them and knows they had no part in what their have Jason did. Unfortunately, Medeas desire to exact penalise on Jason is great than her respect for her children, and at the end of the tactical maneuver she kills them. Medea was also a stuffy wife to Jason. She talks about(predicate) how she helped Jason in his necessitate for the lucky Fleece, and then helped him escape, even killing her own brother. (476-483 Medea) Secondly, she shows the heroism to stand up to Jason. She believes that she has been cheated and betrayed by him. By planning ways to get back at him for swindling on her, she is standing(a) up for what she believes, which in this case is that she was wronged by Jason, but in a larger sense, she is spea might out against the insufficient status of women, which effectively allows Jason to cast Medea at will. She shows that she is clever and resourceful. sort of than use physical stick to accomplish her plans, she uses her mind kinda: it is best to...make away with them by poison. (384-385 Medea) while physical intensity level clear be considered a fearless quality, light can be as well. She poisons the princess and the king of Corinth. However, she does not poison themdirectly; this shows her cleverness because she is try to keep from universe linked to the crime, though everyone is able to gens out that she was responsible for(p) anyway. Antigone she is defies the law of a king to support the law of her phantasmal belief. She tries her hand at use of goods and services but is not as successful as Medea. Antigone tries, with no purpose, to comport her sister, Ismene, to help her give their brother Polyneices a halal burial. This finish, to overwhelm her brother, was very heroic in that even though she knew dying was at stake, she knew where her loyalties lied. (560-575 Antigone)Antigone stands up to her uncle and tells him to his face that he has disobeyed the Gods decrees.

?I did not intend to pay, to begin with the gods, /for breaking these laws/because of my fear of one man and his principles.? (562-4 Antigone)She accuses Creon of overstepping the laws of the gods, by relying on his own thinking. As is brought out later, Creon never listened to other people?s advice until it was too late. Antigone boldly faces up to the most powerful man, the King, knowing he could kill her in an instance, but close up she tells him he is wrong. Antigone is unselfish, respectful, and virtuous; therefore, she makes the finest end in the play. Also Antigones decision is wise because it shows her unselfishness through her action. Although her consummation is wrong in the eyes of the law, it is true in her heart. When she says, hardly I will bury him; and if I must(prenominal) die?I shall lie down with him in death, and I shall be as love life to him as him to Me.? (Antigone 168). she shows that she is prepared to chip in herself for her brother, which is very unselfish. Antigone tells Creon that it is up to the gods to prove her actions. Creon is made aware by his son Harmon that ?there is no urban center possessed by one man and? (Antigone 189). Creon then asks ?is not the city intellection to be the rule?s?? (Antigone 189) Just because he is the ruler, he thinks he can control everything and the thoughts to the people. Medea and Antigone are both strong, sometimes-manipulative characters but have incompatible moral settings that control what they do. They can be independent, and act on their own to get what they. The women do what must be make in order to pose their mark whether it calls for breaking the law falling. They may do things for varied reasons but in the end they get it. Works Cited: Euripedes. The Medea. Trans. Rex Warner. salary: University of lucre Press, 1992. Sophocles: Antigone, Trans David Grene and Richmond Lattimore. Chicago: University Of Chicago Press, 1992. If you want to get a full essay, order it on our website: Ordercustompaper.com

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